$50,000 to $100,000
One airport done well, or three at entry level
A two- or three-network package at one airport, or static and digital units across three airports for four weeks.
You have a number: what was allocated, what the board approved, or a range still being decided. The question is what it turns into. This page answers by budget level: how many airports, which formats, how many weeks, what a level will not do, and three ways to spend the same money. From EAM Advertising, an airport advertising media agency that plans and buys across 125+ airports and 40+ media vendors. Get our media kit for the full ranges and formats.



The short answer
These figures are for medium to large airports, from Phoenix (PHX) up to JFK, Las Vegas (LAS), and San Francisco (SFO); smaller airports such as San Antonio (SAT) run 25 to 40% less, so the same budget goes further. For a four-week flight, media only: $50,000 buys one airport done well, $100,000 buys three airports at entry level, $250,000 buys five major hubs built for impact, and $500,000 buys eight to ten airports including two or three outside the U.S. Budgets of $1 million to $3 million buy longer flights, domination at the anchor hubs, international airports, and programs that run through the year.
$50,000 to $100,000
A two- or three-network package at one airport, or static and digital units across three airports for four weeks.
$250,000 to $500,000
Five major U.S. hubs built for impact, or eight to ten airports including two or three international, for four to eight weeks.
$1 million to $3 million
Longer and repeated flights, airport domination at the anchor hubs, and international airports and lounges in the mix, run as one program across countries.
How to read these levels
Each level is what is possible for a campaign built to be noticed, not a fixed package. You can run for less with smaller units, at a lower level of impact. Production and installation of static units are on top: about $1,000 to $15,000 per install.
Start your plan
Pick the path that matches where you are. Every path ends with current availability and a recommended mix.
By budget level
Each step up buys one of three things: more airports, more weeks, or more of each airport (bigger units, more of the loop, the takeover). The table shows the most common shape at each level for medium to large airports, from Phoenix (PHX) up to JFK, Las Vegas (LAS), and San Francisco (SFO). A budget between levels, such as $150K or $400K, buys the lower level with more weeks or more of each airport.
| Budget, media only | Airports | Possible formats | Flight | Who buys it this way |
|---|---|---|---|---|
| $50,000 ($50K) | 1 airport | Two or three digital networks; or one spectacular with a network; banners at some airports | 4 weeks, or one or two event weeks | A home-market brand, a conference exhibitor, a first test |
| $100,000 ($100K) | 3 airports at entry level, or 1 major airport built for impact | Static and digital units at each airport; or a full package at one hub | 4 weeks | A regional program, an account-based plan, a launch city |
| $250,000 ($250K) | 5 major U.S. hubs built for impact, or 1 airport dominated | Digital networks, banners, wall wraps, spectaculars, lounges | 4 weeks | National B2B awareness, a product launch |
| $500,000 ($500K) | 8–10 airports, U.S. plus 2–3 international | Every airport format is possible | 4–8 weeks | Global brands, IPO and rebrand campaigns |
| $1,000,000 ($1M) | 8–10 airports, U.S. plus international, for longer flights | Every format, including spectaculars in event weeks | 8 weeks, or two flights | Category leaders, conference circuits |
| $2–3 million ($2M–$3M) | A year-round program: 10+ airports in the U.S. and abroad, repeated flights | Every format; domination at the anchor hubs | Through the year | Always-on brand programs, multi-region expansion |
Media only; production and installation of static units are quoted separately. Planning figures from EAM Advertising campaigns, not a rate card; smaller airports such as San Antonio (SAT) run 25 to 40% less, so the same budget goes further.
Same money, three plans
Every budget can buy breadth, depth, or time. $250,000 can be five major hubs for four weeks, one airport dominated with a second airport supporting it, or two or three airports for eight to twelve weeks. None is right in general; the audience and the date decide.
Breadth
Reach the audience wherever it flies: LAX, JFK, ORD, MIA, and DFW, digital networks and a few large static units at each. Best for national awareness and launches with no single home city.
Depth
Own one airport for a flight (every network and the static units) and support it at a second. Best for a conference city, a headquarters city, or a launch where being unavoidable in one place matters more than being everywhere.
Time
Two or three airports for eight to twelve weeks, or recurring bursts through the year. Best for long sales cycles and recruiting, where the same people see the brand on every trip, and longer flights earn better per-week pricing.
Plan at your number
Pick the card nearest your budget and send it as a brief. The figure carries into the form, and the plan comes back built around your airports, audience, and dates rather than a package.
Built for impact
Plan at this budget (media only)
Figures are for medium to large airports, from Phoenix (PHX) up to JFK, Las Vegas (LAS), and San Francisco (SFO); smaller airports such as San Antonio (SAT) run 25 to 40% less, so the same budget goes further. Each card shows what is possible, not a fixed package.
1 airport, for example PHX, AUS, or SAN
3 airports at entry level, or 1 major hub
5 major hubs, for example LAX, JFK, ORD, MIA, and DFW
8–10 airports, U.S. plus 2–3 international
8–10 airports, U.S. plus international
10+ airports, U.S. and international, year-round
Not sure which level fits?
Send the airports and the dates without a number. We come back with what a campaign built to be noticed costs at those airports, and what a smaller version would look like.
Across several airports
Unevenly, on purpose. Put the impact units (spectaculars, takeovers, the best arrival-path positions) in the one or two anchor markets that matter most, cover the support markets with digital networks, and keep the remainder for an opportunistic market or a second flight. An even split across every airport usually buys a little of everything and the impression of nothing.
Anchor markets
The conference city, the headquarters city, or the largest buyer market. This is where a spectacular, a takeover, or more of the loop earns its price.
Support markets
Digital networks and a static unit or two, so the audience sees the brand on the other end of the trip without the anchor-market spend.
Reserve
Production and installation for every static unit ($1,000 to $15,000 per install), one creative adaptation round per airport, and room for a unit that opens late.
How to sequence and phase markets: the multi-airport playbook.
Is it enough?
Usually, if the plan matches the number. $25,000 to $50,000 is enough for one airport done properly; it is not enough for five. $100,000 is enough for three airports at entry level or one hub built for impact; it is not enough to dominate a major hub in CES week. The question is not whether the budget is big enough, but whether the plan fits it. Under $25,000, small-format signs ($2,500 to $12,000 for four weeks) and single banners still put a brand in the airport, at a lower level of impact.
Send the number and the airports. We tell you plainly what it buys and what it doesn't.
On top of the media
Production and installation of static units (about $1,000 to $15,000 per install), creative adaptation across each airport's specs, and the creative itself. Posting, proof of posting, and play logs are part of the buy. Plan the production reserve into the budget from the start, so the approved number is the number on the contract.
The full cost breakdown, by format and campaign shape, is on the airport advertising cost page.
Why EAM
We plan it rather than spend it. We check what's open at every airport for your dates, show you what the number buys as breadth, depth, or time, put the impact units where your audience actually walks, quote media and production together so the total is known before signing, and secure everything under one contract and one invoice. EAM Advertising owns no inventory, so the recommendation is the mix that fits the brief, not the units a media owner needs to move.
One airport, dominatedFabricSan Jose (SJC). A full airport takeover for one flight: 82 digital faces covering 5,252 square feet, plus all 760 security trays.The shape: one airport, every network and checkpointSee the campaign
National, several media ownersFortinetU.S. and Canada. Las Vegas, New York, Chicago, San Francisco, Toronto, Washington, D.C., Dallas, and more, bought from multiple media owners as one coordinated buy. 40 million impressions.The shape: five-plus hubs, built for impactSee the campaign
Global, five continentsDynatraceParis, London, São Paulo, Tokyo, and more. Digital large format and screen networks across five continents, including Kuala Lumpur and Mexico City, under one contract. 60 million people reached.The shape: eight to ten airports, U.S. plus internationalSee the campaign See every campaign on the case studies page.
Tell us the airports, the dates, and the range. We come back with current availability and a recommended mix.
Ready to plan?
Tell us the budget range, the airports, and the dates. We come back with current availability at every airport in the plan and a recommended mix built to the number.
125+ airports · 40+ media vendors · Since 2015
“EAM made a nationwide airport campaign feel much easier to manage. The team was responsive, organized, and always on top of the details. They helped us make smart decisions with the budget, kept everything moving, and ultimately delivered exactly what we were looking for.”
Chief Marketing OfficerFortinet · nationwide airport campaignFor agencies and consultants
Agencies and consultants bring EAM Advertising in as the airport specialist behind a client’s plan. The client relationship stays with you. We plan, buy, and report under NDA, and can work white-label.
Get our media kitAirports
EAM Advertising plans and buys at 125+ airports across North America, Europe, Latin America, Asia-Pacific, the Middle East, India, and Africa, and any combination runs under one contract. The most-requested airports are below; every airport, with search by city or code, is on the airport advertising hub.
Questions
At medium to large airports, three airports at entry level with static and digital units for four weeks, or one major hub built for impact. At smaller airports such as San Antonio (SAT), the same budget goes 25 to 40% further.
Five major U.S. hubs for four weeks built for impact, with digital networks, banners, wall wraps, spectaculars, and lounges in the mix; or one airport dominated for a flight with a second airport supporting it; or two or three airports for eight to twelve weeks.
Eight to ten airports, including two or three outside the U.S., for four to eight weeks, with every airport format possible. Or five major hubs for longer flights with more of each airport.
Typically eight to ten airports, U.S. plus international, for longer flights or two flights in the year, with spectaculars in the event weeks that matter. The extra money buys time and depth more than more airports.
Five major U.S. hubs for four weeks at a level built to be noticed, or more airports at entry level. At smaller airports the count goes up, since they run 25 to 40% less.
Unevenly: the impact units in one or two anchor markets, digital networks in the support markets, and a reserve for production and a late-opening unit. An even split usually buys a little of everything and the impression of nothing.
Yes, for one airport done properly: two or three digital networks or a spectacular with a network for four weeks, or one or two event weeks. It is not enough for a multi-airport campaign built to be noticed.
It depends on the audience. If buyers fly through many hubs, buy breadth; if one city matters most, buy depth there; if the sales cycle is long, buy time. The same budget can do any of the three.
No. Media figures exclude production and installation of static units (about $1,000 to $15,000 per install) and creative adaptation. EAM Advertising quotes media and production together, so the total is known before signing.
Everything after the objective. We check what's open for the week, which loops are crowded and which units will sell out, and where on the arrival path your audience actually walks. We recommend the mix, secure the units, traffic the creative through airport approval, confirm posting on day one, and deliver proof of posting and play logs after. If the airport is one market in a larger plan, the same relationship covers the others.
Airport advertising media agency. 125+ airports. Est. 2015.
Send your work email for the media kit: formats, planning ranges, and booking windows. We’ll follow up to learn who you need to reach and when, then come back with current availability and a recommended mix.
125+ airports · 40+ media vendors · Since 2015
Sources
Updated October 5, 2026 · By EAM Advertising