Repeated flights
Four weeks, then four more
Bought as a sequence, with the mix adjusted between flights.
The brands that get the most from airports are the ones that stay: the same hubs, repeated flights, the brand seen on every trip until the audience assumes it was always there. Always-on programs cost less per week than one-off bursts, reach the same frequent flyers again and again, and suit the long cycles of B2B, enrollment, and recruiting. This page covers why always-on works, how programs are bought and priced, which airports and formats, and the year-round programs EAM Advertising has run, from EAM Advertising, an airport advertising media agency that plans and buys across 125+ airports and 40+ media vendors.



The short answer
A standing presence at the airports your audience uses, bought as repeated four-week flights, quarterly periods, or a year at a time, rather than a single burst. Flexispot ran year-long security-tray takeovers across five major U.S. airports with more than 100 million impressions; BYU ran a year-round enrollment campaign on airport video, always on in Salt Lake City and rotating through three markets. Longer flights earn better per-week pricing, the same frequent flyers see the brand on every trip, and the plan can flex up for the weeks that matter.
Repeated flights
Bought as a sequence, with the mix adjusted between flights.
Annual programs
Some formats sell by the quarter or the year, at better per-week rates.
Flex for the moments
A steady base at the hubs, with spectaculars added for a launch or a show week.
The one thing to get right
Choose the base for frequency, not impact. Trays, networks, and lounges at the hubs your audience uses every week are the always-on layer; spectaculars are what you add for the moments.
Start your plan
Pick the path that matches where you are. Every path ends with current availability and a recommended mix.
Why it works
Because the airport audience repeats. Frequent business flyers pass the same concourse every week; executives sit in the same lounges; every departing passenger handles a tray. A brand that is there every trip becomes part of the terminal to them, and for categories with long decisions (enterprise sales, enrollment, recruiting, financial services) that familiarity is what the sale rests on. Per-week pricing also improves with longer flights, so the base costs less than the same weeks bought one at a time.
The audience repeats
Frequency comes free with the traveler's habits.
Long decisions
Familiarity over months is what moves them.
Better per-week pricing
The base costs less per week than bursts.
Airports and timing
The two to five airports your audience uses most, chosen for repeat traffic: the hubs your buyers connect through, your home market, or the lounges where your executives wait. Breadth comes later; the base is depth at the airports that matter.
| Program type | Airports | Base formats |
|---|---|---|
| B2B always-on | 2–3 hubs your buyers connect through | Networks, trays, club lounges |
| Home-market program | Your own airport | Networks and arrival-path units, year-round |
| Enrollment or recruiting | Home airport plus rotating feeder markets | Networks and video, in season |
| Executive audiences | Flagship lounges in 3–7 cities | Lounge screens and static units |
| Consumer frequency | 3–5 hubs | Security trays by the quarter or year |
BYU: always on at SLC with Dallas, Chicago, and Washington, D.C. in rotation. Flexispot: trays at ORD, DEN, CLT, IAD, and LAX for a year. Wharton: lounges in seven cities.
Formats
Security trays, which sell by the quarter or the year at many airports; digital networks, which can run as repeated flights with creative refreshed; airline club lounges for executive audiences; and static units where one durable message should hold. Spectaculars are the burst layer on top.
Always-on frequency
Every departing passenger handles the brand, trip after trip.
Reach at the hubs
A spot in the loop across the concourses your audience connects through.
The executives
Seated for an hour, the most senior audience in the terminal.
One message, held
A single image held for the whole flight, with 100% share of voice.
Arrivals, waiting
Every arriving passenger with a bag, facing the screens.
For the week that matters
The arrival-path unit the whole show walks past; the first to sell out in a conference week.
Budget
A one-airport home-market program runs from about $50,000 per four-week flight, repeated; a two-to-three-hub B2B base with trays and networks runs $150,000 to $300,000 per flight; a five-airport tray program runs $30,000 to $100,000 and up per airport per four weeks with annual pricing per period; year-round programs of several hubs run $1 million to $3 million a year. Media only, for medium to large airports.
| Plan | Airports | Formats | Planning range, media only |
|---|---|---|---|
| Home-market program | 1 airport, repeated flights | Networks and arrival-path units | From about $50,000 per four-week flight |
| B2B base | 2–3 hubs | Networks, trays, lounges | $150,000–$300,000 per flight |
| Tray program | 3–5 hubs, by the quarter or year | Security trays | $30,000–$100,000+ per airport per four weeks |
| Year-round, several hubs | 5–10 airports, repeated flights | Every format | $1 million–$3 million a year |
Planning figures for medium to large airports, from Phoenix (PHX) up to JFK, Las Vegas (LAS), and San Francisco (SFO); smaller airports such as San Antonio (SAT) run 25 to 40% less. Ranges from the cost and budget pages.
A sample plan
An enterprise brand's base at three hubs for a year: networks and trays every flight, lounges at two of them, and a spectacular added in the one conference week that matters. Media only; annual tray pricing by period.
| Airport | Units | Weeks | Planning range, media only |
|---|---|---|---|
| ORD | Terminal network plus a security tray program | Repeated four-week flights, all year | $55,000–$200,000 per flight |
| DFW | Terminal network plus trays plus one club lounge | Repeated flights, all year | $65,000–$245,000 per flight |
| SFO | Terminal network plus one club lounge | Repeated flights, all year | $35,000–$145,000 per flight |
| SFO, show week | Arrivals-path digital spectacular added | 1 week | $15,000–$100,000 |
A worked example, not a quote. Ranges from the format and cost pages for medium to large airports, from Phoenix (PHX) up to JFK, Las Vegas (LAS), and San Francisco (SFO); production and installation are on top.
What goes wrong
Programs fail when they're built like bursts or left alone once they're live.
Buying bursts and calling it a program
Four weeks on, eight off, reads as a series of ads; the base should be continuous at the airports that matter.
Never refreshing
Digital networks allow swaps; a program that never changes its line goes unseen by the second quarter.
No burst layer
The base builds familiarity; the launch week or the show week is where it pays off. Plan both.
Creative
A durable brand line for the base, refreshed in rotation, and a different message for the bursts. The base creative should be the brand's most lasting claim, strong enough to see fifty times; swap the digital file every flight or two so the frequent flyer notices the change; and give the show week or the launch its own line.
A durable line
The brand's lasting claim, not a quarterly offer.
Refresh in rotation
Frequent flyers notice the change.
Burst creative
Launch week and show week get their own line.
Measurement
Over quarters, not weeks: proof of posting and play logs every flight, passenger figures by period, branded search and direct traffic by region trended across the year, an annual recall study among the target audience for larger programs, and the sales or enrollment team's log of people who mention it. The measure is whether the brand reads as established by the second year.
Why EAM
Flexispot's year-long security-tray takeovers across Chicago, Denver, Charlotte, Washington, D.C., and Los Angeles, with more than 100 million impressions; BYU's year-round enrollment campaign on airport video, always on in Salt Lake City and rotating through Dallas, Chicago, and Washington, D.C.; and Wharton Executive Education's lounge program across seven cities. We build the base for frequency, price longer runs per period, refresh creative in rotation, add the bursts for the weeks that matter, and deliver one report per flight across every airport.
Always-on, five airportsFlexispotChicago, Denver, Charlotte, Washington, D.C., Los Angeles. Year-long security-tray takeovers across five major U.S. airports.100 million-plus impressionsSee the campaign
Year-round, four marketsBYUSalt Lake City year-round; Dallas, Chicago, and Washington, D.C. in rotation. A year-round enrollment campaign on airport digital video, always on at home and rotating through three markets.12 months on airSee the campaign
Executive audiences, seven citiesWhartonPhiladelphia, New York, Dallas, Atlanta, Denver, Minneapolis, San Diego. United, Delta, and American business club lounges, for Wharton Executive Education awareness.Seven U.S. citiesSee the campaign See every campaign on the case studies page.
Send the airports your audience uses and the year's calendar. We come back with a base, the bursts, and annual pricing where it applies.
Ready to plan?
Tell us the audience, the airports or the event, the dates, and the budget range. We come back with current availability at every airport in the plan and a recommended mix.
125+ airports · 40+ media vendors · Since 2015
“EAM made a nationwide airport campaign feel much easier to manage. The team was responsive, organized, and always on top of the details. They helped us make smart decisions with the budget, kept everything moving, and ultimately delivered exactly what we were looking for.”
Chief Marketing OfficerFortinet · nationwide airport campaignFor agencies and consultants
Agencies and consultants bring EAM Advertising in as the airport specialist behind a client’s plan. The client relationship stays with you. We plan, buy, and report under NDA, and can work white-label.
Get our media kitAirports
EAM Advertising plans and buys at 125+ airports across North America, Europe, Latin America, Asia-Pacific, the Middle East, India, and Africa, and any combination runs under one contract. The most-requested airports are below; every airport, with search by city or code, is on the airport advertising hub.
Questions
A standing presence at the airports your audience uses, bought as repeated four-week flights, quarterly periods, or a year at a time, with the mix adjusted between flights and bursts added for the weeks that matter.
Per week, yes; longer flights and annual programs earn better per-week pricing than one-off bursts, and some formats, such as security trays, are sold by the quarter or the year.
From about $50,000 per four-week flight for a one-airport home-market program, $150,000 to $300,000 per flight for a two-to-three-hub base, and $1 million to $3 million a year for several hubs year-round. Media only.
Security trays, digital networks with creative refreshed in rotation, airline club lounges for executives, and static units for a durable message; spectaculars are added for bursts.
Brands with long decision cycles: enterprise software and B2B, universities, recruiters, and financial services. EAM Advertising's programs include Flexispot, BYU, and Wharton Executive Education.
Swap the digital file every flight or two so frequent flyers notice; keep the brand line durable and give launch and show weeks their own message.
Yes; that is its purpose. A continuous base at the hubs plus spectaculars or a takeover added for the launch week or the show week.
Over quarters: proof of posting and play logs each flight, passenger figures by period, regional branded search trended across the year, an annual recall study for larger programs, and the team's log of people who mention it.
Yes, at one airport: a home-market program from about $50,000 per four-week flight, repeated, which is how BYU's year-round campaign is shaped.
Everything after the objective. We check what's open for the week, which loops are crowded and which units will sell out, and where on the arrival path your audience actually walks. We recommend the mix, secure the units, traffic the creative through airport approval, confirm posting on day one, and deliver proof of posting and play logs after. If the airport is one market in a larger plan, the same relationship covers the others.
Airport advertising media agency. 125+ airports. Est. 2015.
Send your work email for the media kit: formats, planning ranges, and booking windows across 125+ airports. We’ll follow up to learn who you need to reach and when, then come back with current availability and a recommended mix.
125+ airports · 40+ media vendors · Since 2015
Sources
Updated October 5, 2026 · By EAM Advertising